Events and Exhibitions
Independant of solo music works and Wisdomfacade. For info about those projects please visit Sound.
2023 -2024
Noisepop Summer of Music Festival Performer, San Francisco, Ca. June - September.
2021
Patterns and Symmetry, San Francisco Women Artists group exhibition, San Francisco, Ca. March-April.
2019
Performance with SCLork at Linux Audio Conference, Stanford University, Palo Alto, Ca. March.
Small Works Invitational Exhibition, Abrams Claghorn Gallery, Berkeley, Ca. April.
Performance with SCLork at Garden of Memory at Chapel of the Chimes, Mountain View Cemetary, Piedmont, Ca. June.
2018
Can You Hear Me Now? Group Exhibition of Women Artists, Abrams Claghorn Gallery, Berkeley, Ca. June.
Certificate of Completion, Supercollider Workshop, Center for Computer Research in Music and Acoustics (CCRMA) at Stanford University, Palo Alto, Ca. August.
Joined SCLork (Santa Clara University Laptop Orchestra), an ensemble that combines live coding, recording and video to create original electronic compositions and improvisation, September.
2017
Poet’s Reading the News: This is Not a Reality Party, participating performer. Collaboration with Claire Tompkins combining a reading of current events with performance of baroque opera. Private Venue. San Francisco, Ca. October.
Started voice study with Jane Randolph, San Francisco Conservatory of Music. April.
2016
Screening of Leatherback, original animated music video for an original song by May Oskan of the band Storm Door. PianoFight, San Francisco, Ca. November.
2015
Solo Exhibition, Cloverdale Pop-Up Gallery, Healdsburg, Ca. August.
Solo Exhibition, Kilovolt Coffee, Oakland, Ca. October-November.
2013
Featured Artist at Jumpin’ Java Café, San Francisco, Ca. February-March.
Glyph at Art Ark Gallery, part of group exhibition. San Jose, Ca. April.
Mixed Media Arts Mixer, Firehouse Collective. Berkeley, Ca. September.
2012
Stage Design and Art Direction for Mana Maddy Album Release: Another Trip Around the Sun. Berkeley Unitarian Universalist Church, Berkeley, Ca. June.
Live Painting Demonstration on models and exhibition of paintings at The Yerba Buena Project, The Pallet Space in Emeryville, Ca. September.
Voice Mentor at San Francisco City College with Professor Judy Hubbell, September-December.
2011
In the Forest, Collaborative Interactive Environmental Installation, The Art Thou Gallery, Berkeley, Ca. April – May.
Live Painting with the Something Something Quartet at the Jazzschool, Berkeley, Ca. August.
Project Ion with Fivepoints Arthouse, interactive event featuring a process created by Kaitlin McSweeney and Adam Rygiol called “video-canvas” involving the combination of digitally animated art projected onto a canvas used as a painting ground. The resultant painting is a record of her perception, rather than a record of an external object. The process reflects the role of an individual’s perception in the process of visual translation. The event will have a figure drawing portion, a performance by Adam and Kaitlin of the video-canvas process, and live musical performances throughout. Fivepoints Arthouse, San Francisco, Ca. November.
2009
23HAM (House of Art and Multimedia): Event Coordinator, Resident Artist. Berkeley, Ca.
Featured Artist and Producer of MAMA: Meet Artists Manifest Autonomy, hosted by 23HAM, Berkeley, Ca. May.
Pro Arts East Bay Open Studios, 23HAM, Berkeley, Ca. June.
Live Painting onstage with Judgement Day, The Independent, San Francisco, Ca. October.
Leda and the Egrets, full room mural completed in North Berkeley Residence, November.
Dollhouse group show, ARC Gallery and Studios, San Francisco, Ca. December – January.
Stage Design and Art Direction for Judgement Day and Foxtails Brigade Parlor Series Concerts, Flux 53, Oakland, Ca December.
2007
De Young Museum, Art for All: A Tribute to Gilbert and George College Night at the De Young Museum, San Francisco, Ca. February-May.
In the Forest: an interactive installation.
In the Forest was an environment that acknowledges the presence of each individual visitor, offering a reminder that each of us has impact wherever we go and whatever or whoever we interact with. Additionally, those impacts cannot easily be traced to one individual, as we move together in waves, interconnected and colliding into action upon action continuously.
We were lucky to have access to Art Thou Gallery, which existed in the former backstage of the former Oaks Theater. The space was very narrow, with a 50 ft. high catwalk. We built and installed a rig at the top of the catwalk and built the “trees” from 30 - 40ft hanging armatures, starting from the top on ladders and working our way down. All recycled materials were used.
By reprogramming motion sensitive video game controllers, weaving them into the trees and connecting their data to projected visuals, visitors to In the Forest could trigger shifts and changes to the light, color and animations filling the space.
Artists: Andreina Davila, Drew Dara-Abrams, Chrysta Giffen, Claire Tompkins, Kaitlin McSweeney, Susie Davvy with technical support from Mister Scradam. Art Thou Gallery, Albany, Ca, 2011.
